Now Online and By Appointment! Contact us at director@quintanagalleries.com or 503-810-7525
Thunderbird Transformation Mask, c. 1980 by Lelooska (1933 - 1996)

Thunderbird Transformation Mask, c. 1980 by Lelooska (1933 - 1996)

Regular price $5,500.00 Sale

Thunderbird Transformation Mask, c. 1980
Lelooska (1933-1996), Cherokee & Adopted Kwakwaka'wakw
red cedar, cedar bark, pigment, cord
20.5” high x 17.5” (21” open) wide x  23” deep

The Thunderbird is a mythical creature that is said to be the dominating force of all-natural activity. Located in the Pacific North Western Mountains, the Thunderbird creates booms of thunder by flapping his wings and shoots bolts of lightning from his eyes, when hunters got too close to his home. In this depiction, Thunderbird is transforming into a human.

By creating rainstorms he waters the earth, making it possible for vegetation to grow. He is said to be so large that his wingspan is as large as two canoes, and that he could easily carry a killer whale out of the water with his talons. Only the most powerful and successful chiefs and families use the Thunderbird in their crest.

Thunderbird resembles the Eagle but is distinguished by the two curved horns or Plumage on his head. Long ago Northwest Coast people pleaded to the Thunderbird for help in times of food shortage, and he helped, but in return requested that from then on he only be depicted at the top of a totem pole with his wings stretched out.

Master carver and storyteller Lelooska was born Don Smith in Sonora, California in 1933. He was called Yana the Bear at birth, but it was the name Lelooska, meaning "To Cut Against Wood With a Knife," that brought him fame. Lelooska and his family moved to Hubbard, Oregon in 1936, where they ran a gift shop, and where Lelooska began to carve under the tutelage of his grandfather He-Kill, Cherokee Nation from Oklahoma. 

Though Lelooska was taught the traditional art and stories of the Cherokee, it was the carvings and myths of the Northwest Coast culture that inspired him to make carving a full time endeavor. He won acclaim for his totem poles, carved out of old-growth cedar. He is said to have carved 100 or more totem poles and thousands of masks, using only the D adze, the elbow adze and the hooked knives.

During Oregon's Centennial in 1959, Lelooska carved a 50-foot totem pole celebrating the state's role in Operation Deep Freeze, which established a scientific station at the geographic South Pole. The pole now towers over Washington Park Zoo in Portland. He carved a duplicate 30-foot Friendship pole, which dominates the entrance to the international airport at Christchurch, New Zealand.

In 1961, the family moved to Ariel. Volunteers helped build a traditional longhouse, a log museum, and later an art gallery. In 1968, Chief James Sewid, hereditary chief of the Kwakwaka’wakw Nation on Vancouver Island, held a potlatch to adopt Lelooska, his mother Shona-Hah, his sister Patty Fawn, and his brother Tsungani into the Sewid family.

Lelooska and his family offered traditional dance and storytelling performances, wearing the masks and robes of the Kwakwaka’wakw Nation of British Columbia. Lelooska, with his deep and commanding voice, brought to life the myths and legends of his ancestors.

The longhouse shows were among his proudest accomplishments, attracting 25,000 visitors a year. There were also workshops in American Indian culture offered by the nonprofit Lelooska Foundation, where students can earn college credits from Central Washington University and Lewis & Clark College.

Lelooska received an honorary doctorate from Lewis & Clark for his leadership in American Indian art and culture. He also was given the school's Aubrey Watzek Award for his contributions to American Indian culture. Lelooska has works in both Private and Public Collections including the National Museum of the American Indian, The Chicago Art Institute, The Portland Art Museum, and The Estate Collection of Arlene Schnitzer. 

Lelooska passed away peacefully at home in Ariel, Washington in 1996.