Headdress depicting a Mosquito, 1999
by Francis Horne, Coast Salish First Nation
alder, feathers, pigment, red cedar base
26” high (on stand) x 12” wide x 14” deep
In the Northwest Coast culture, Mosquito is viewed as a mischievous creature put on this earth as a necessity for the balance of nature, but a torment to humankind. Some legends feature man eating mythical creatures, such a dzonokwa (wild woman of the woods) transforming into mosquitoes in order to continue to torment humans after their death. The prickly nature of these insects is reflected in this mask's adornment with prickly shaped feathers.
Francis Horne was born on October 18, 1954 in Mount Vernon, Washington, and raised in Duncan, British Columbia, Canada. He began carving in 1972 and credits the late Simon Charlie, an accomplished artist and prominent Chief, as an influential mentor. Largely self-taught, Francis gained his knowledge and mastery of carving and design through study of the Salish art form.
Francis has been providing instruction in all aspects of carving for the past forty years. He is carving instructor at the University of the Fraser Valley. The Indigenous Arts Certificate is the first university level First Nations art course in Canada.
Francis has received international attention with collectors globally. His creative artwork can be found in Singapore, Italy, Colombia and North America. The city of Duncan, known as the “City of Totem Poles,” includes five of his poles.
Residing in the Fraser Valley, Francis enjoys a successful career as a master carver, tool craftsman and graphic designer. His reputation for elaborate detail, precise incisions and original design reflects both his expertise and dedication to maintaining a high standard of quality and collectivity of his artwork.
