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Untitled (Builders), 1954 by Pablo O'Higgins

Regular price $750.00 Sale

Untitled (Builders), 1959, Pablo O'Higgins (1904-1983), lithograph, edition 14/18, signed and dated in pencil in the lower right corner, framed: 29” high x 20.5” wide, mint condition

A great twentieth century American/Mexican painter and printmaker, Pablo O'Higgins studied at the school of Fine Arts in San Diego, California. It was not long before he became dissatisfied with the academic techniques employed by their art instructors and decided to move to Mexico where he began his permanent residence in Mexico City in 1924. O'Higgins also spent a year at the Academy of Art in Moscow on a Soviet Scholarship (1933). Once again, unimpressed with the instruction, most of his time was devoted to sketching Soviet workers at the railroad station.

O'Higgins first gained a close knowledge of modern Mexican art when he was appointed the primary assistant to the great master, Diego Rivera who became his friend and mentor. O'Higgins worked with Rivera for both his Chapingo and Ministry of Education projects. Due to political differences, and O'Higgins' desire to create his own works, he left Rivera's tutelage when the Chapingo murals were completed.

Pablo O'Higgins exhibited in San Francisco at the Art Center Gallery (1925 and 1927) along with Diego Rivera, Jose Clement Orozco, David Alfaro Siqueiros and other great Mexican masters. He had a one-man exhibition in New York at the John Levy Gallery (1931), which included over twenty of his works. He also exhibited in Cuba, Spain, Los Angeles and Mexico.

It is imperative to mention that his work was included in the first large group exhibit of Mexican art held in the United States. He was the only non-native Mexican artist whose work was included in the Modern Art's exhibit "Twenty Centuries of Mexican Art" in New York (1940) and the Mexican Government has awarded him the highest honors in retrospectives of his work at El Palacio de Bellas Artes.

Besides being a highly respected muralist in Mexico, where he painted more than a dozen murals, O’Higgins is well-known for co-founding the world-famous political graphic arts workshop, Mexico City’s Taller de Gráfica Popular, which he formed with Leopoldo Méndez in 1937 to produce art denouncing fascism.

It is evident that the influence and dominance of his political art continues with the inclusion of his works in major exhibitions of Latin American art throughout Mexico, the United States and in Britain. Pablo O'Higgins became a Mexican citizen in 1961.