Honeysuckle and Dogwood
Honeysuckle and Dogwood
Andy Wilbur Peterson, Skokomish Nation
silkscreen, edition of 160
14.5" x 22" paper size
Andy Wilbur Peterson is a member of the Skokomish (Twana) Nation. He was born in Shelton, Washington in 1955. He has lived in the Skokomish community all of his life.
At the age of twelve, he became aware of his culture. It was then that he learned to make baskets and to gather basket materials with Skokomish elders Louisa Pulsifer and Emily Miller. After some experimentation in different mediums he became inspired to try carving after a tour he took at the Capital Museum in Olympia, Washington.
At the age of eighteen he taught himself how to carve, paint and make bent wood boxes. His early work was mostly in the Northern style because that was most available and visible in order to learn from. Andy has carved and created many different types of art such as bent wood boxes, drums, rattles, masks, paddles, speaker staffs, bowls and totem poles.
In 1987, Andy graduated from the Evergreen State College with a B.A. While attending Evergreen, he assisted Makah artist Greg Colfax in carving a 12’ Woman Welcoming Figure for the campus. Through this experience he became inspired and started researching Salish style art. His research began in the archives of both the University and Capital Museums. Later visits to the University of British Columbia broadened Wilbur’s knowledge. Another educational influence was the work of Andy’s great grandfather, Henry Allen, an artist talented at both carving and storytelling. Allen was also the major informant of an ethnographic study of the Twana People.
In 1994 -95, Andy worked with Steve Brown on a 10’ tall Salish style pole for King County Arts Commission in Seattle. Later in 1995, along with Greg Colfax, he completed a Westcoast style Thunderbird pole that is 9’ tall with a wingspan of 16’ that is installed at the Washington State Arts Commission in Olympia, WA.
Andy has contracted to do art work for many different organizations and private collectors. In 1987 he was nominated for the Heritage Award through the National Endowment for the Arts. Andy's work has been included exhibitions at the Seattle Art Museum, the Burke Museum, and the Portland Art Museum.
Andy Wilbur continues to contribute to the revival of Salish art in many ways. Over the years he has taught carving, graphics and painting classes to people of all ages at many schools and to many Tribes. His goals are to continue carving and teaching and to learn all he can about his traditional life style and art forms.