Maicidio (Death of Corn) by Nicolás de Jesús, Mexico
Maicidio (Death of Corn)
by Nicolás de Jesús, Mexico
aquatint on amate paper
19" high x 9.5" wide (paper size)
There are around 220 species of corn in Latin America, 64 of which are in Mexico, and 59 of those species being native to Mexico. Today, Mexico's native corn is struggling against GMO's. Several varieties of corn that have been grown in Mexico for millennia are in danger of going extinct due to the introduction of genetically modified varieties. NGO's such as the Colectividad del Maíz have taken legal action against the growing of genetically modified corn in Mexico. They argue that the push towards genetically modified corn is a sort of crop monopoly that is putting at risk many varieties of corn that are native to Mexico.
The print Maicidio (Death of Corn) is the artist's plea for the corn that belongs to all of us, and that has been grown in Mexico for millennia, be saved before it succumbs to corporate greed.
Nicolas de Jesus (born December 6, 1960) is a Mexican artist from the Nahua region of Guerrero, Mexico. His work carries themes of Mexican rural life as well as politics and world events. The celebration Dia de los Muertos is a common subject in his art.
de Jesús developed his art through his parents and his community of Ameyaltepec. Painting on amate (bark) paper is the preferred medium of expression of local traditions. His work reflects the spectrum of his experiences from his origins in a traditional Mexican Village, to his concern for preserving cultural identity, to the complex problems of Mexican immigrants, and the politics in Mexico and the United States.
Art activist Felipe Ehrenberg started to teach Nicolás etching and other printing techniques. The young artist combined these new mediums with his already adopted traditional amate paper compositions. Many of these works feature whimsical, detailed characters with the perspective of great distances and close up views.
The reoccurring theme in the traditional Amayaltepec amate is everyday village life—its celebrations and beliefs. After moving to Chicago in the 1980s, de Jesús additionally started to depict urban life in the United States in the same manner. His work reveals a deep political awareness such as transgenic agriculture, repression, migration and war. The artist recognizes the work of Mexican engraver Jose Guadalupe Posada as a major source of inspiration, both for the satirical aspects of his work and for his social engagement.
de Jesús’ work has been featured in both solo and group exhibitions including the South Bend Museum of Art, IN, Neuberger Museum of Art, NY, and the Arlington Art Center, VA.